State Library Victoria

Melbourne/ Australia

Size/ 13,532 m²
Competition/ 2016, winner of tender, international competition
Status/ Completed 2019
Client/ State Library Victoria (SLV)
In Association/ Architectus
Consultants/ Andronas Conservation Architects/ Irwinconsult/ Steensen Varming/ Arup/ McKenzie Group Consulting/ Salus/ ID Lab
Awards/ Australian Library and Information Association (ALIA) 2021 National Exemplar Award/ Victorian Premier’s Design Award 2020 for Architectural Design/ AIA IR 2020 Merit Award for Open International Architecture/ AIA IR 2020 Sustainable Future Award/ Commendation for Public Architecture at the 2020 Australian Institute of Architects’ National Architecture Awards/ Australian Institute of Architects Victorian Chapter Awards 2020 in the Heritage – Conservation and Public architecture categories/ Melbourne Prize 2020/ Unique Event Venue 2019 at The National Meetings & Events Australia Awards (MEA National Awards)/ Victorian Tourism Awards 2019 in the Outstanding Contribution by Volunteers category
Photo/ Trevor Mein/ Brett Boardman

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State Library Victoria, Australia’s oldest and largest public library has officially reopened its doors to the public, revealing an extensively transformed library. The newly designed spaces are part of a five-year redevelopment plan aimed at expanding the library’s community outreach and enhancing the visitor experience. Working in partnership, Schmidt Hammer Lassen and Architectus were tasked with rethinking and revitalising the existing spaces of the library in order to unlock possibilities, create connections, and provide a framework for the library’s ongoing and future evolution.

As the busiest public library in Australia, attracting 1.8 million visitors and 3.3 million online users each year, State Library Victoria is a rich and celebrated cultural institution in Melbourne, a space that reaches out to a broad range of users.

During the design process, a series of co-creation workshops where held to engage the users directly in the library’s redevelopment. Input and feedback from children, teens and their families have helped the design team to understand the future user needs. That valuable feedback will translate into the creation of their dream library.

The architectural design concept puts users at the centre, providing an open, accessible, and welcoming experience for all ages and cultural backgrounds.

In 2018, phase one of the development project was completed. Formerly housing the Melbourne Museum from 1906 to 1997 and the National Gallery of Victoria from 1999 to 2002, the redeveloped sites are now serviced by two new additional entrances – a universally accessible entrance on La Trobe Street, and the historic Russell Street entrance that was closed for more than a decade.

Just inside the new Russell Street entrance is the new Baldwin Spencer Hall, a warm, welcoming space that anchors the library on an urban scale.

Baldwin Spencer Hall now houses a lounge and meeting space called the Russell Street Welcome Zone, which includes the new Guild café, and the Readings bookshop that is relocated from the western end of the library.

Works from local visual artist Tai Snaith spans a 29-metre wall, and the grand space is grounded by restored original jarrah floors, a hardwood native to Australia.

Moving further into the library, the redeveloped McArthur and Swinburne Galleries house reading rooms designated as quiet space for reading and research. State-of-the-art audio-visual technology and a new production kitchen occupy the Isabella Fraser Room, a new special events venue named after the library’s first female employee.

The adjacent Victoria Gallery is a 500-square-metre exhibition space that offers an immersive and interactive experience for visitors.

Throughout State Library Victoria, all furniture, fittings and equipment were carefully selected and designed to complement the architectural interventions.

This includes moveable elements and fixed pieces that work together in aesthetic harmony, tying the project together.

Before the redevelopment, the layout of the 164-year-old library drew visitors through a sequence of spaces that made it easy to leave the building without being fully aware of the library’s diverse offering. The design concept creates a more holistic experience with a clear hierarchy of thresholds and spaces, connecting the various zones of the library physically and visually.

The 163-year-old The Ian Potter Queen’s Hall has now reopened to the public after 16 years. The space has been stripped back, revealing its former beauty and original paint work, while drawing a modern design line through the Hall and the rest of the library to link rooms together.

Spaces have been revealed and made directly accessible, allowing visitors to move through the library more intuitively, exploring and uncovering all of its treasures.